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They were not liable to be broken through over-heating or by being accidentally dropped.They were even more hygienic, for they could be cleaned with sand or ask and water more thoroughly than earthenware pots." ---Food and Drink in Britain From the Stone Age to the 19th Century, C. 67) [NOTE: This book is an excellent source for your project.Why has it not at least made available some insight into how to judge, and see through, the siren claims of the pseudo-histories, as I will refer to non-academic treatments of this period that ignore recent scholarly analyses? Before going any further, I should confess to being what might be termed a romantic Arthurian agnostic.That is to say that I wish that Arthur had existed but that I must admit that there is no evidence - at any rate none admissible in any serious 'court of history' - that he ever did so.In due course, they were followed by Medieval Christian artworks such as Carolingan and Byzantine illuminated manuscripts.Influenced by early illustrated texts from the Coptic Christians of Egypt, these illuminated manuscripts went on to influence Islamic art in the form of painted Persian manuscripts and calligraphic artworks.
In the Celtic areas of western Europe, the most important kind of text was the Gospel Book. There were the portable 'Pocket Gospels', which missionaries carried with them on their evangelical expeditions; there were the scholarly editions, used for study and research in monastic libraries; and there were the lavishly embellished types, complete with full-page religious paintings and decorative calligraphy. In most cases, they were either on open view on the high altar, or displayed during feast days and special processions.149-50) [NOTE: This book contains far more information than can be paraphrased here. Your librarian can help you find a copy.] "The Celts, like their predecessors, prepared their meat by roasting or stewing.Both methods became easier after the introduction of metal utensils.Ultimately, this Hiberno-Saxon style created some of the most outstanding works in the history of Irish art of the Middle Ages.These illuminated manuscripts were a mixture of religious text, copied from the bible, illustrated throughout by numerous decorative embellishments, of either abstract or representational art.